No Such Thing as “True Love”: The Tragedy of Venus and Adonis

No Such Thing as “True Love”: The Tragedy of Venus and Adonis

Adonis is a young man renowned for his beauty. But he is not interested in love and only wants to go hunting. When Venus sees Adonis, she falls in love with him and comes down to earth where she encounters him setting out on a hunt. She asks him to get off his horse, and speak to her,but Adonis does not want to talk to any woman, not even a goddess. So she forces him to listen. She lies down beside him, gazes at him, and talks of love. He manages to get away and goes to get his horse.

At that moment, Adonis’ horse becomes enamored of another horse and soon the two animals gallop off together, which keeps Adonis from going hunting. Venus approaches him, and continues to speak to him of love. He listens for a bit, then turns away scornfully. This pains her and she faints. Afraid that he might have killed her, Adonis kneels to stroke and kiss her. Venus recovers and requests one last kiss. He reluctantly gives in.

Unsatisfied, Venus wants to see him again. But, Adonis tells her that he is going to hunt the wild boar. Venus desperately warns him that if he does so, he will be killed by a boar. She then flings herself on him, tackling him to the ground. Adonis pries himself loose and, after lecturing her (the goddess of love) on the topic of lust versus love, he leaves, leaving the heartbroken Venus behind.

The next morning Venus roams the woods searching for Adonis. Hearing dogs and hunters in the distance, she thinks back on her vision that her beloved will be killed by a boar. Afraid, she hurries to catch up with the hunt. Soon, she finds Adonis, killed by a wild boar. Devastated, Venus decrees that love will henceforth be mixed with suspicion, fear, and sadness. 

Artwork by ROOSDY.
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Martini

Martini Fisher is a Mythographer, Lecturer and Author. Her first published work is “Wayang: Stories of the Shadow Puppets,” a look at the ancient stories of Javanese creation myths from a traditional performing arts standpoint.
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